The purpose of this
study is to analyze the data according to Halliday’s functional grammar
specifically experiential metafunction. Under this metafunction there are six
processes, material, mental, behavioral, verbal, relational and existential.
After we have finished analyzing our corpus, we only found four
processes which are material, mental, behavioral and relational
process.
Our corpus is being
taken from Tumblr, it is a poem entitled “500 Days of Art” which is 3 pages in
length. We took 29 days to find, analyze and study the data. The tables below
are our findings.
1) Material Process
Actor
|
Process
|
Goal
|
We are
|
Born out
|
Of candyland and cookies.
|
Our mothers
|
Become determined
|
That this batch will be better.
|
We
|
Siphon
|
The darkness from the beginning,
often hiding from the light.
|
We
|
Grow up
|
on lunch sack poetry,
|
We
|
Turn into
|
an unknown constellation
|
We
|
Start
|
to feel the unsaid unknowns
within our pores.
|
We
|
Watch
|
the skies turn red
|
Colors
|
Explode
|
Into dusk
|
We
|
Keep count
|
|
We
|
Sit
|
Outside of our windows
|
We
|
Lead
|
Life encoded
|
We
|
Find
|
The creaks and cracks
|
We
|
Discover
|
we’re no longer muselessness
|
We
|
Pack
|
Our suitcase
|
We(ellipsis)
|
Begin
|
To wander
|
We’ve
|
Become
|
boy wanderings
|
We
|
Meet
|
meandering lions,
|
We
|
Tattoo
|
Our skin
|
We
|
Carry
|
Bottles of velixir
|
We(ellipsis)
|
mumble
|
under our tongues violet words
|
We(ellipsis)
|
Carrying
|
seasoning: parsley, sage,
rosemary,
|
We
|
write
|
about memories of performers
|
We
|
Hold
|
in our heart’s chambers
|
You
|
Soothe
|
My soul
|
We
|
Beg
|
Fall through me
|
We’re
|
searching
|
for the movement
|
We’re
|
bitten
|
by an eternally coiling
serpent
|
We
|
Begin
|
with titles “Of Mice and
Misanthropes”
|
We
|
Find
|
table tops covered in beauty
and the duplicity of youth
|
….
|
stuttering
|
words with original
|
….
|
Dancing
|
With words
|
….
|
Soaking
|
In literature
|
….
|
Expand
|
Our knowledge
|
We’re
|
Awaiting
|
The break of the sun
|
….
|
watching
|
whispering dreams decay
|
The clouds
|
carried
|
by the wind
|
Actor
|
Process
|
Goal
|
We
|
Jump off
|
Roof tops
|
We
|
Capture
|
poems from cursed lips
|
Sensor
|
Mental Process
|
Phenomenon
|
We
|
turn
|
into an unknown constellation
|
We
|
start to feel
|
the unsaid unknowns within our
pores.
|
We
|
fall in love
|
with the American Icarcus.
|
We
|
and remember
|
“onward, upward, ever forward”
is the way we lead life encoded
|
we
|
only know
|
just an inkling
|
We
|
redefining
|
reality
|
We
|
discover
|
we’re no longer muselessness,
|
We
|
are searching
|
for the movement
|
We
|
compare
|
them to lions and birds
|
We
|
are learning
|
a little about you and them.
|
We
|
capture
|
poems from cursed lips
|
We
|
are tired
|
-
|
3) Behavioral Process
Behavor
|
behavioral process
|
We
|
siphon the
darkness from the beginning,
|
We
|
watch the
skies turn red.
|
We
|
sit outside
our windows
|
We
|
listening to
cascading raindrops and reversed
rainstorms, rambling memoirs,
|
We
|
find the
creaks and cracks
|
We
|
pack our
suitcase and begin to wander
|
We
|
meet meandering
lions, figures in the mist,
and women with tempest filled eyes
|
We
|
tattoo our
skin “vivere mori” defining
our existence
|
We
|
carry bottles
of velixir and mumble under
our tongues violet words,
|
We
|
write about
memories of performers, and
who we hold in our heart’s chambers
|
We
|
beg fall
through me
|
We
|
find table
tops covered in beauty and t
he duplicity of youth
|
we
|
are awaiting the
break of the sun,
|
We
|
watching whispering
dreams decay in the
clouds carried by the wind
|
We
|
jump off
roof tops,
|
We
|
capture poems
from cursed lips,
|
4. Relational Process - Attributive
5) Relational Process - Possessive
CARRIER
|
PROCESS
|
ATTRIBUTE
( quality , class, circumstances)
| |
1
|
You
|
are
|
not just a writer who writes (class)
|
2
|
Our titles
|
not found
|
stripping savage writing finding promises
in the binding of used books at the corner bookstore (quality)
|
3
|
This
|
is
|
the era of American masters, of writers placing our fingers on triggers and submarine dreams. (class)
|
4
|
These fragments
|
are
|
ascension dreams and slurred sounds
(class)
|
5) Relational Process - Possessive
POSSESOR
|
PROCESS
|
POSSESSED
|
We
|
are
|
born out
of candy land and cookies
|
You and
me
|
are
|
changing
|
we
|
are
|
no
longer muselessness
|
We
|
are
|
a quiet
joy
|
We
|
have
|
become
boy
|
she
|
is
|
an
Argonauts
|
This
|
is
|
the era
of the American Masters
|
These
fragments
|
are
|
ascension
dreams and slurred sounds
|
We
|
are
|
searching
for the movement
|
We
|
are
|
bitten
by an eternally coiling serpent
|
We
|
have
|
pocketed
a thousand clever words
|
POSSESOR
|
PROCESS
|
POCESSED
|
We
|
are
|
seeing the horizon again
|
We
|
are
|
always the poet inside
|
It
|
is
|
ordinary life until the siren of
the east
|
We
|
are
|
only part gravity
|
We
|
have
|
bags of dead books, authors,
poets, soaking in literature to expand our knowledge
|
You
|
are
|
not just a writer who writes
|
You
|
are
|
wounded soul battles
|
You
|
are
|
greatness that lies within
|
We
|
are
|
girls broken down
|
Our pen
|
is
|
our pistola
|
we
|
are
|
tired
|
Findings
Processes
|
Total
|
|
Material
|
38
|
|
Mental
|
12
|
|
Behavioral
|
16
|
|
Relational
|
Attributive
|
4
|
Possessive
|
23
|
|
From the analysis, we found that not all processes are
present in the data. Like in this corpus that we have chosen, the author used
only four processes. This is probably because the author wished to convey her feelings
about how she perceived the world. Due to that, the author uses a lot of
material process in her poem.
Material process is a process where it expresses the notion that
some participant (called actor) does something (may be to some other entity,
called goal). The total of material process that we have found is 38. The next
process that the author uses is possessive process which is 23. Possessive
process is where it includes relationships of part to whole and of ownership.
The author also described about human, circumstances and situations
as having different qualities and characteristics. This is where it shows that
what she mentions belongs to her, meaning to say, it is her own opinion and
view.
While for the other two processes, verbal (process of saying) and
existential that is not used by the author probably because of the fact that,
she did not quote anyone or say anything using first person pronoun “I”.
Another than that, she did not use any report and dialogue. While for
existential, she did not refer to anything as being exist.
In conclusion, the existential metafunction plays an important
part in expressing feelings and action. The correct use of it can help in
conveying the exact meaning. However not all processes are used in the data. In
depends on the author to use whichever processes in order to convey the
message, feelings, suggestions, views, etc.
Good analysis and well justified.
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